International operatic superstar Measha Brueggergosman-Lee brings her second (the 1st show is SOLD OUT) Zombie Blizzard album show – a unique blending of the classical concert aria and jazz-influenced art song in which composer Aaron Davis uses the visceral poetry of Margaret Atwood to tackle issues of sexism, humour, gender inequality, and grief – to the intimate confines of The Carleton on Wednesday, October 30th. Show time is 7 PM and tickets, while they last, are $45 + HST.

You can watch a great Katie Kelly CTV interview with Measha about this project HERE.

Motivated and hungry for new experiences, Ms. Brueggergosman-Lee’s career effortlessly embraces the broadest array of performance platforms and musical styles and genres.

Measha began her career predominantly committed to the art of the song recital and has presented innovative programs at Carnegie Hall, Washington’s Kennedy Center, London’s Wigmore Hall, both the Konzerthaus and Musikverein in Vienna, Madrid’s Teatro Real, as well as at the Schwarzenberg, Edinburgh, Verbier and Bergen Festivals with celebrated collaborative pianists Justus Zeyen, Roger Vignoles, Julius Drake, and Simon Lepper.

On the opera stage, her recent highlights include the roles of Giulietta and Antonia in Les contes d’Hoffmann, Elettra in Idomeneo, Jenny in Weill’s Mahagonny, Emilia Marty in Janáček’s Věc Makropulos, Hannah in Miroslav Srnka’s Make No Noise, and Sister Rose in Jake Heggie’s Dead Man Walking. On the concert platform last season she returned to Carnegie Hall with the New World Symphony, performed Elettra in Idomeneo at Opera Atelier, Toronto, and gave a recital at the Barbican Center, London.